David Guy
Joseph Kramer is warm, friendly, affectionate, expansive, and just slightly – shall we say – hyper. He had recently turned fifty when I visited him at his home in Oakland, but there is something boyish about him, like a boy genius who can’t keep the words from flowing. He kept reaching out to grab me as we walked along the sidewalk to
lunch, as if to make sure we were still in touch; he constantly - as a
practitioner of rebirthing – took in large gusts of air and let them
out with an audible sigh; he frequently burst into shouts of
barrel-chested laughter; and as we sat together at a sushi bar he let
out audible murmurs of pleasure at tastes. He took delight in
everything, even – it seemed – our footsteps as we strolled along the
sidewalk.
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Margaret Wade and Suzanne Blackburn
I grew up in a Catholic family that was very service oriented, very
“other” conscious. My father was a lawyer who gave half of his time
providing free service for the unprivileged and folks in trouble, so
early on, I got this idea of service and connectedness to others. I was
a very religious, I would say ecstatic, boy. Something my father and my
grandmother instilled in me was a sense of awe and a love of nature.
Even in my suburban neighborhood, I tried to get away and spend time in
some little field or wooded area. As I got older, I channeled that
sense of awe and wonder into mystical Christianity.
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Terje Gammelsrud
Joseph Kramer og hans The New School of Erotich Touch repræsenterer det allerbedste på området genital og anal ressourceforvaltning.
Hans film kan være en formidabel inspirationskilde for seksuelt
engagerede og aktive kvinder og mænd, og ikke mindst for alle der kun
har oplevet lidt fornyelse de sidste to, ti eller fyrre år. Det er så
lidt, så lidt, der skal til for at opleve noget nyt og spændende.
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